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Tuesday, July 11, 2006

What's All the Fuss About?

Or maybe that should be what’s The Fuss all about? I recently received a copy of the new CD “One Hot Night” by The Fuss (a.k.a. Chris Boss and The Fuss). And I would say The Fuss is all about making good fun music. This would be a great CD to pop in at a party. Instead of spending a large amount of time picking out party music and painstakingly mixing it onto a disc, just throw in “One Hot Night.” It has it all. You’ve got pop punk tunes like “Punk and Disorderly Part I & II,” “The End of Innocence” and “It’s All About Me.” You’ve got glam rock numbers like “Shake It Up Baby!” and “Rise Up.” And for good measure (and, I think, my favorite) a more Southern rock/bluesy tune called “Earthquake Rock.” And much more.

Chris Boss has been making music around San Antonio for a long time and I think this CD is a culmination of that. You can definitely hear his musical influences in this album: a little bit of Green Day, The Ramones, KISS, etc., but brought together by his unique voice and style. In “Rise Up” you get a good taste of his vocal range, and in “Shake It Up Baby!” and “Earthquake Rock” you get a taste of his fantastic guitar-playing ability.

Now, anyone who’s been following along knows that I appreciate the hell out of some kickass guitar, so it probably goes without saying that when listening to the works of a guitarist who I know has a great appreciation for the “guitar gods” and the ability to follow suit, I naturally was expecting to hear some great guitar work on this album. And there is some, but I was a little disappointed to find that, well...not so much. But, hey, that’s just me, and I can’t expect a musician to tailor his music to my specifications.

All in all, definitely a CD worth picking up, which you can do online at www.cdbaby.com/cd/chrisbossfuss. For more information go to www.chrisboss.com or www.myspace.com/thefussrocks.

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Thursday, July 06, 2006

AMPLIFYD – Rhythms

Thanks to Steve Elliott for this review of Amplifyd's CD Rhythms!


AMPLIFYD – Rhythms

By Steve Elliott

Okay, somebody answer this for me. With San Antonio home to such great blues artists like Ruben V and Jimmy Spacek, WHY isn’t blues music more popular here? It seems there’s only a few select clubs that will feature blues artists and band, and those are, sadly, few and far between.

Let me tell you, if you love the blues, especially tinged with a bit of rock, you are going to love Amplifyd! I met this band through MySpace, and after meeting them in person and listening to the “Rhythms” CD, I was hooked! This is a seriously kick-ass release and hard to believe it’s a three-piece band putting out such a big sound! The 10 tracks on this release will have you bopping your head throughout and hitting the repeat button over and over.

From the opening notes of the white-hot “No More Pain” to the closing chords of the beautiful instrumental “Peruvian Sunset,” Amplifyd take you on a blues-rock journey you’re really going to enjoy. Lead vocalist/drummer Deon Clark’s voice has that real bluesy Robert Cray sound that is pure butta! Clark and bassist Warren Hammond are one of the tightest rhythm sections I’ve ever heard and lock in perfectly behind guitarist John Bracy’s soaring guitar lines. Hammond and Bracy also provide excellent backing vocals throughout.

The third track here, entitled “Better Man,” features an infectious repeating bass and guitar line that set a perfect counterpoint to Clark’s impassioned vocals and percussion. “Waitin’ For You” starts off with a big drumbeat, with Bracy and Hammond launching into a brutal bass and slide guitar assault. “Missin’ Her” is classic blues, with the bass and guitar interweaving behind Clark’s vocals. “Loneliness” is a jazzier blues tune, and features great harmony vocals. “Dance Maria” is a Spanish-flavored rocker that tells the tale of meeting a beauty from south of the border. “My Sweet Lolita” is a burning blues number that shows off how tight this band is. "Flat Lands and Blue Skies” features some great acoustic guitar and is very upbeat.

The CD wraps up with the instrumental “Peruvian Sunset” which sounds like it could have come off an early Allman Brothers release. A driving bass and drums backbeat starts the song, with layered acoustics coming next, then electric guitar weaving in and out to create a beautiful sonic masterpiece. This last song is great driving music, as I found myself tapping my steering wheel along with the song, and throughout this entire CD.

You can find out more about Amplifyd at www.myspace.com/AmplifydRocks.

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Sunday, July 02, 2006

We Watched the Headlights, We Watched the Stars

Why do I put off doing these cd reviews for so long? I think they intimidate me for some reason. I received a copy of We Watched the Headlights, We Watched the Stars from Archer Avenue several months ago and am just now getting around to doing a review. Sorry, guys! I promise I’ll get more on the ball with these reviews. Here we go...


Archer Avenue We Watched the Headlights, We Watched the StarsYou know that great time in your life where you’re young, it’s summer, you have no worries and life is all about cruising around listening to the radio, hanging out and having a few beers, and of course, thinking about members of the opposite sex? We Watched the Headlights, We Watched the Stars really transported me back to that time.

Archer Avenue’s latest effort is straight-up rock-n-roll about the simple things in life, and girls in particular. With gritty vocals, tight uncomplicated guitar solos, nice backing harmonies and a slightly Southern tinge, Archer Avenue has created a very refreshing and distinctive sound.

The tracks that caught my attention in particular were:

1) “Cop’s Don’t Care”


I was thinking about the fourth of July
When I was so happy, so happy I could die.
We sat on the hood of your father’s car.
We watched the headlights; we watched the stars.


Really takes me back...

2) “Breakdown on N. St. Mary’s”

Yep, good ol’ St. Mary’s strip...it even mentions a certain place we all know:

He’s drinking whiskey at the Rabbit on another Thursday night.


This song is about as SanAnto as it gets. It has a very Texas sound...actually it’s the closest they come to country music.

3) The cover of “You’re Gonna Miss Me,” originally by Roxy Erickson and the 13th Floor Elevators.

Very cool old sixties tune and great job covering it!

If you’re not familiar with this song and would like to hear the original, there are several videos of it on YouTube. Just get on there and search for 13th Floor Elevators.

4) “She is America”


These lyrics cracked me up:

She is America; she is a shooting star.
I’m gonna see her just as soon as I can buy a car.
A Grand National, I’m saving all my cash;
I know they’re ugly but who cares ‘cause they go really fast.


So, there you go. Great job. A very enjoyable listen.

We Watched the Headlights, We Watched the Stars is available online at Archer Avenue's Record Store for only $10. You can also pick up a copy at Hogwild Records. Or if you're like me and usually download your music, it's available on iTunes and several other download services (I know I found some on Napster). Check out archeravenuemusic.com for more information on the album and Archer Avenue.

There, that wasn’t so hard...

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Saturday, February 04, 2006

Chunky Butt Funky

Skunkweed Chunky Butt Funky
FINALLY I finished my first CD review! I had originally planned to make the first one a double feature, as I thought that would be cool and I have two Skunkweed albums. However, since I was almost done with this review, then lost my hard drive, I have decided enough time has been wasted, so I’ll just review my favorite Skunkweed album: Chunky Butt Funky.

One of the reasons it took me so long to do this review is because I had to get my hands on the damn CD! I finally had to go swipe it out of my boyfriend’s truck and rip the songs onto my computer so I could listen to them all at my leisure, because he never takes it out of his CD player. This is what he and his work buddies listen to when they’re standing around drinking beer after work.

Another reason it took me awhile was that I’ve never done a CD review before. I read them all the time in the Rolling Stone and they have all these really articulate ways of describing music. “Effervescent arrangements over bumping beats,” “an almost guileless, unadulterated apeal,” “a basic palette of sweet soul loops, rudimentary scratches and glazed electronics,” blah, blah, blah. I didn’t know if I could write stuff like that and that’s what I thought a CD review should sound like. But then I decided Fuck It...I don’t talk like that. And that’s ok, because I’m not some high-paid music critic. I’m just a music lover listening to a CD. So, here goes:

First off, if you’re easily offended, this album is NOT for you!

Chunky Butt Funky is chock full of offensive language, sexual references, racial stereotypes, degradation of females, talk of drug use, you name it...everything that’s likely to offend. As you may guess, I love it! It’s fucking hilarious!

It also touches on damn near every musical genre, from the jazz rap of the first track, “Wham Bam It’s a Booty Jam” to the tear-in-my-beer country of “Drunk Again” to the ganja-loving reggae of “Rasta Man,” and his advice to “Let the skunkweed set you free.”

What makes Skunkweed’s music so accessible is that the songs are full of characters that are immediately recognizable. They’re people you can either relate to or laugh at, because either you know them or you ARE them. From “Aqua Velva Man,” the guy with a pelt on his chest who thinks he’s so suave, but he’s got it all wrong and you know he really lives at home with his momma and works at the grocery store, to the vato in “El Camino,” driving around with his fuzzy dice and his chain steering wheel and the Virgin Mary airbrushed on the hood of his car.

And we’ve all met (or been) the guy in “Wasted” (my favorite Skunkweed song): He’s the guy at the party that everyone tries to avoid because he is just so obnoxiously and pathetically trashed. He pukes on himself, wets his pants, hits unsuccessfully on all the women and can’t understand why no one wants to let him drive home (“I drive better this way!”), where he ultimately wraps his car around a tree.

Men, I’m sure, can relate to the guy in “Titty Bar,” who’s usually just a white trash loser, but down at the local titty bar, he’s a superstar. “A little money never went so far.” Or the poor soul in “Directions” who wishes women came with a manual and who accidentally washes his face with “fucking vagina rejuvenator.” Or the guy in “Lickety Tits” whose girlfriend surprises him by getting a boob job (“Oh shit, lickety split, baby’s got a brand new set of tits!”).

Other songs are just fun, and of course, funny. Like “Soccer Riot,” with its rousing chorus of “Oy oy oy! Just start a soccer riot. Oy oy oy! You bastards ought to try it.” Because everyone knows that soccer itself is kinda boring and most of the true excitement is in the stands. “Kneecaps will bend, kidneys will roll, we’ll riot and riot till someone yells ‘GOAL!!’“

Another fun one and my second favorite: “Fuck ‘Em.” This song involves the most totally tasteless toast I’ve ever heard. It’s great. I put it up on the jukebox so you can listen to it.

Of course, if you’re on dial-up and streaming mp3's are a problem for you, you’ll just have to buy Chunky Butt Funky to hear it! I highly recommend buying it anyway. I’m not saying every song is great and rip-roaringly funny. There are a few that don’t quite live up to my expectations of Skunkweed, but those expectations are high - I expect their songs to be piss-your-pants hilarious - and not every song can live up to them. But the ones that do make this album well worth owning. Plus, if you own it, you get to hear the short but funny bonus track!

You can listen to clips from Chunky Butt Funky and History of the Beer Bong (also contains some great songs) and purchase both CD’s at http://www.mytexasmusic.com/skunkweed/

You can also check out Skunkweed live this Friday, February 10th, at the Hooligan’s on I-35. Check Skunkweed’s website for future dates and further info.

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